The
purpose of my articles is to help you with your acting career
– to
inform, inspire, teach and motivate you. So, whether you are an actor
on stage, television or film... I hope that my words will help you to
build the performing arts career of your dreams. It might help if you
view all the articles here as if they were a virtual professional
acting school – where the business side of your acting career
is made a
bit easier to understand, easier to work on, and very successful.
Comments? Email me
– bobfraser@youmustact.com
Acting
School: Auditions 101
by
Bob Fraser
I am often asked
about auditioning - "what's the secret?"
There
really aren't any secrets, but there is a checklist. Here is my memory
word, a word you can use to make every audition more successful - by
going through the checklist.
The
word is PARADIGM.
P - Prepare.
Preparation usually involves several steps. Here are just a few: Know
what you are auditioning for. Ask questions, get information, listen
carefully. Familiarize yourself with the script (if there is one). If
there is a script (or sides), study the character and make a couple of
solid choices as to how you will perform it. If there is no script, but
you have a general description of the character you are trying out for,
again make some choices. Plan your trip to the place where the audition
is taking place. Have your outfit picked out. Make sure you have gas in
the car - or correct change for public transportation. Plan the day
ahead of time. Give yourself plenty of time to get ready (hair,
make-up, etc.).
The number one
element in a successful audition – that most casting
directors point to – is preparation.
A - Arrive
early.
This is VERY important. When you arrive early you accomplish two
crucial things: First, you are "on time." This is a must in our
industry. People who show up late are a pain in the ___ (fill in your
choice of body part). Producers hate late. Directors loathe the
lackadaisical. Other actors don't like it much either. Casting
directors are unlikely to form a favorable impression of you if you are
late. That's because if you are cast (on their recommendation) and then
you show up late for production, they will get yelled at. CD's don't
like getting yelled at. They are unlikely to recommend you if you are
late. (Don't "sign in" early as this will cause problems. Get there and
wait nearby.)
The second thing
that happens when you arrive early is you have time to do the next part
of a successful audition which is:
R - Relax.
Being relaxed is important to your results. If you are keyed up,
stressed, rushed or still coming down from the trip to the audition
–
it will cost you. Almost everybody needs some time to "get ready." Only
you can know how much time you will need, but whatever it is
– that's
how early you have to get there.
There
are about as many techniques for relaxation as there are humans on the
planet - so I'll skip listing them. The bottom line? The relaxed actor
is the more successful actor. Why? Because if you are relaxed, you help
relieve the natural anxiety the casting director, producer and director
are also dealing with in the audition process. Oh, yes, it's tough on
them too. If they don't get it right it can ruin an entire production.
So, believe me, they are stressed. Relax and the whole world relaxes
with you.
A - Act.
A lot of actors forget the purpose of an audition. The CD's, directors
and producers are looking for a performer – which means it is
important
to perform. This is another reason to relax. It's easier to remember to
do the job when you are at ease.
D - Deal.
Every audition is just one of the many you will have in your career. If
you are a normal human being you will "fail" 80% of the time. Not just
at auditions either. The best piece of advice about this failure
business is given by one of the richest men in the world, Bill Gates;
"If you want to be more successful, double your failure rate."
The
most difficult thing to 'deal' with in the entertainment industry is
the inevitable – "I didn't get it." – realization
You must understand
that this is going to be the case much more often than not. Rejection
is not an easy thing to deal with, but if you want to be a successful
actor you must learn to deal with it. It's a central part of a
professional acting career.
As
I have pointed out, more than once, even successful established actors
are rejected a lot. Every time a part is being cast (say, Batman or
Scarlett O'Hara) there are hundreds of professional, money-earning
stars who are dismissed as possibilities and dozens of others who meet
with the producers and find out later that – "I didn't get
it." Dealing
with rejection is crucial to your eventual success. So, deal with it.
I
- Impress.
If you accomplish the goals on this list, you will impress the people
doing the casting. You will be considered a "pro." Professionalism is
the word you want attached to your efforts. This
will happen if
you are on time, prepared, entertaining, relaxed and able to deal with
the inevitable rejection that follows most auditions. That's your goal
in every audition – to impress them with your professional
attitude.
Even
if you don't get this one, when you impress the CD, the director or the
producer with your pro attitude, they will think of you for something
else. Guaranteed.
G - Grace.
Gracious people have the edge. We like them, we trust them, we want to
work with them. Be polite. Remember people's names. Be helpful. Listen
carefully. Follow directions. Don't impose your 'neediness' on the CD.
You will always leave a good impression if you are gracious to other
people in the business. Think Cary Grant or Audrey Hepburn.
Your mantra
should be; "I'm nice ... to other people."
M - Manipulate.
If you hope to succeed you will probably need to manipulate somebody.
Of course, there
is only one human being you really have any control over –
and have any hope of manipulating: Yourself.
- If you are a poor
planner, you must manipulate your mind set to correct this deficiency.
- If being turned
down puts you in a deep funk, you must manipulate your reaction.
- If you panic, you
must manipulate your mental state until this is no longer a problem.
In
other words, don't waste a minute of your time trying to find the
"reasons" behind someone else's decisions and attempt to change her
mind. Take a step back from every 'failure' and discover what needs
manipulating in your own actions and reactions.
You can only
change the world by changing yourself.
That's my
audition PARADIGM.
Is
it easy to do all these things? No way. If it were easy, everyone would
be a successful actor and they'd have a difficult time finding people
to type up annual reports for $6.75 an hour.
But make no
mistake, you can accomplish all you want, once you
set your mind to it.
Of course, the important words in that last
sentence are "set your mind to it."
Go ahead. You can
do it if you really want to.